The Shiny Parts: Devotional Practice to the Dagda

Herein is the thing about being given a missive to write a series of blog posts by one of your beloved Gods, no matter the crazy, or how many obstacles that life throws at you, eventually the work bobs up again. Luckily, the Good God is a patient one and has been incredibly helpful and kind in recent times when I have needed support. But enough that, back to the task at hand!

When I last left you wonderful folks, we had talked about Learning being the starting point of connection to the Dagda and how that never ends. Which means you should still be on that Learning track, yes? Good.


We had also talked about the Work, and how after learning you then have to actually apply that into Doing. The “what” wasn’t as important as the act of breaking out of the theoretical and rolling up your sleeves to work. That my friends, is also an ongoing process, so I expect you are all merrily working a long.

But I know that those two things aren’t as satisfying an answer as some might be looking for in regards to making a connection with the Dagda. You might look at those two things and think that sort of spirituality or religion wouldn’t look any different from others on the outside. It’s too simple. Which to be fair, it is, but honestly that is the core of my devotions to most of my Gods and specifically to the Dagda. It’s not fancy. It’s not complicated. If I just had books, the internet, and living my life, that would be enough. I could still do it all with nothing on a desert island at this point, actually. Just with the knowledge and what I have learned thus far in my head. That’s honestly my goal. To be able to take my Gods and their teachings with me anywhere and without need of anything more than myself.

“But Branwen!,” I hear you say, “You are notorious for carting around all kinds of ridiculous accoutrement over hill and dale regardless of the weight!” You aren’t wrong. I do. Happily. Gladly, and I like to think with panache. But I am a firm believer in knowing the basics, know the roots, and THEN go hog wild and dress it up however you fancy. The heart has to be strong and in alignment, otherwise everything else is just glamour and shallow.

That being said, if you have made it this far, questing traveller, then you get to read me prattle on and on about all the trappings and shiny things that I too enjoy and take much reverence in, and do help in their way to build a strong connection.

 

Altars and Shrines – I want to be a Pagan damnit!

dagdaaltar2017
Altar and offerings to the Dagda on his holy day August 9th 2017

I admit it. One of the appeals of being a pagan or a polytheist, for me at least, is embracing an aesthetic that I have always been attracted to and just holds a deeper meaning when added to my beloved Gods. Our aesthetics may vary, but the power of props and surrounding yourself with the visuals and items that make your heart beat and your soul feel bigger can help you to feel more yourself, more powerful, and more in touch with the Gods.

One place to start with this is building an altar or a shrine to the Dagda in your home, place of work, or yard. “What is an altar? what is a shrine?”, you ask. Good question. Ask a different polytheist or pagan and you will get a different answer, but for the sake of this piece and really this blog in general, the following definitions apply (your mileage may vary):

Altar: Is a set space, usually flat (such as a table top, or shelf) where items associated with the Deity are artfully arranged to focus devotional energy and give the Deity the open invitation to come and be at home here. It is a place where offerings can be set, where items can be charged, and where additional spellwork or prayers are worked. An altar can be set up, taken down, rearranged, cleaned, and moved whenever needed. Some of the items on the altar might be the practitioners, some might be dedicated to the Deity, it’s all interspersed and mingled.   

Shrine: Shrines can take many shapes. They can be contained in a open shadow box type construction, on a flat surface, portable, immovable, you name it. They tend to center around a statue or image of the Deity and are the focus of devotional energy for offerings and petitions to said Deity. Shrines undergo a ritual instantiation of the Deity’s energy into the iconography so they know they are always welcome here and the prayers and offerings are being made directly to them. Offerings and prayers can be left at the shrine and usually collect until a specific time when the shrine is cleaned and the offerings are ritual disposed of. Most items on a shrine are considered property of the Deity.

If either of these call to, you then go for it! They don’t have to be big and should fit into your lifestyle and needs. I don’t personally prescribe to any “You must have X, Y, Z, to be an altar”. My altars have changed and shifted depending on my moods, needs, and just where we are in the year. There is not a lot of historical evidence for what might have been on an altar in Ancient Ireland or even if altars were a household practice (unless I’m missing something, and if I am and you know of articles and information let me know!). But it is a practice that makes sense and has a cross cultural appeal, so one that I have incorporated into my practice.

altarfromthepastIn that vein of making things work for you, you don’t have to have a specific altar for each individual deity. But maybe you want to give it a try and set up a space just for the Dagda when you are starting this new relationship, or deepening it. Even if it is just a specific corner of a larger altar. Go with what works for you.

You might want to start with an item or image of an item that you particularly associate with the Dagda.  A piece of artwork that really calls out to you and evokes those same feelings you get when you read his myths and stories.

My friend Marjorie, has a great practice of creating collages of different images that then help to evoke the different aspects of the deity. You can see things like this on Tumblr a lot. She prints them out and puts them in frames for the altar. Not sure where to get started? Feel free to look through my An Dagda pinterest board. Those are all images that stand out for me.

The other idea that stands out and is one that I immediately took to was getting a cauldron (or fifty), because of his association with the Undry, the cauldron of plenty, as one of his many treasures. Cauldron’s don’t have to come from a witch shop, don’t have to cost a lot of money, and really lots of vessels can become cauldrons if you decide to make them that. I suggest checking out your local thrift stores regularly for some finds. Usually they appear in the home decor or flower pot area. You can find some great brass ones. But do not be daunted, until a cauldron catches your eye a lovely deep bowl can easily serve as a cauldron. I have several wooden bowls that shapeshift from cauldron, to bowl, to well, as needed.

What other items jumped out at you in the myths and lore that you are reading?

It was important to me to have a representation of the Dagda’s club, the lorg mór. That’s not something that I felt I could just find in a thrift store or order online. So I went out to my local woods and spent some time looking for the right branch, and fashioned it into my own little mini club that fits on the altar to represent the lorg mór and the power of life and death. This neatly combines all the previous steps we talked about in devotions to the Dagda. I learned about the club, learned it’s name the lorg mór (working on being able to pronounce this regularly). Then decided I need to go out and create an icon of it. Went out in the woods, spent some time thinking and praying to him. Then spent the time and devotion making the icon. The act of creating an altar is an act of devotion. You can layer it with as much energy, love, and dedication as you feel called to do.

dagdacauldronandclubSome other associations that I make that you might look over for your own altars are listed below. I noted if things that are purely UPG (Unverified Personal Gnosis) and you can go ahead and ask me about anything you like:

Cauldron
Irish Harp
The Club
Boars/Pigs
Horses
The color red (this is not solely the Dagda but UPG particularly for dark ruddy clay red)  Red Jasper and Tiger Iron (UPG) Oak Trees
Sid in Broga, Brú na Bóinne, Newgrange (It should be noted that the Brú na Bóinne changes ownership to Aengus, his son in the lore but I still feel there is that familial connection) because of this UPG for the Newgrange spiral being associated with him
Oats
Bread (UPG)

So go out. Look around your house. Embrace your local thrift store. Patron your favorite artists. Create a little Dagda space in your life. Embellish it with the style and fashion that is you. For me that involves furs, leather, antlers, bones, horn, rocks, and metal items. But maybe you are a more clean lined modern aesthetic. Go for it. Then use it!

If it’s an altar, I will put the books that I am studying Irish culture and lore on it for the Dagda to give me a little insight into the. I put my jewelry that I would like blessed by him up there too. If an Oak tree gifts me with a leaf or acorn on my daily walk I set it up there in appreciation. I make sure to pour and give offerings.

It’s a place to come to and say prayers specifically for him. A focus point to seek guidance and do divination readings to get messages from the Good God. Keep it clean. Keep it well loved and hopefully it will serve you well in return.

Offerings – Connection through Giving

Above in the altar and shrine section, I mentioned that being a place to set out offerings, but what exactly is an offering? What is a good offering for the Good God? What do you do with it? All excellent questions. Let’s discuss below!

What is an offering?  

It occurs to me now, that it would be interesting to go through and look to trace down the archaeological, folklore, and mythic, examples of offerings and offering practices in Ireland throughout history. Suffice to say I have not done that yet but it does make me happy to think about. In any event. Offerings is the practice of giving a gift of reciprocity or an act of propitiation to spirits and deities. It is a spiritual practice that has deep roots in many human cultures and is still seen in Irish folklore and wisdom in leaving milk and butter out for the Good Folks. Below I’m going to link to two excellent articles that cover more history and depth of what a offering is and I highly suggest anyone unsure or curious to go ahead and give those a read and then come back.

Tairis article on Offerings

Morgan Daimler’s Offerings to Gods and Spirits

For me and my practice, offerings are how the connection with my Gods are maintained. It’s how we keep in touch. It’s how I show them I revere and am devoted to them. It’s how I ask for their blessings. It really is that simple.

What is a good offering for the Good God?

The good news is that if you have already started on the Learning and Working parts of this particular series then you, my friend, are already making offerings to the Good God. Congratulations!

That being said, the articles above talk a lot about tangible (largely food) based offerings, so let’s go over some options and ideas for that and then we will talk about the non-corporeal type offerings afterwards.

dagdaofferings
As you read in those articles, and if you are reading the lore and stories, I am sure you can imagine that whole milk or cream and Irish butter will never go amiss as an offering. Across the board really. Delving deeper into the stories you might glean some ideas for other offerings yourself. Things like, porridge, pork, baked goods, and stew, all come to mind.

For the Dagda’s holy days, I usually try to make a feast meal that I think he would enjoy. Usually pork plays a central role, and from there we add just good well made, well loved food and flavor. Then I make sure he gets the first and best plate. It goes up on the altar and ta da! Offering served.

But making big meals is not really something a person can do everyday. Not that you have to give offerings everyday. There are other options that I use on a more regular basis that are more liquid in form.

If you are ok with alcohol, then a good beer, or a good whiskey, or good mead, make for a good offering.
toastingofferings
Food offerings aside, there are other tangible offerings that seem to me to alway be appreciated. These things include devotional crafting/arts. Poetry, calligraphy, artwork, sculpture. If you make something for him. With him in mind. That is a beautiful offering and can also make for wonderful altar additions.

What do you do with the offering?

This comes up the most in regards to the food and beverage offerings. It’s a question that I had starting out and something I’m still evolving in my practice.

For food items, I usually leave them overnight and then either put them in the compost if possible or put them in the bin if not. No one wants molding rotting food on the altar.

Now there are some folks who are in the “offer it to the Gods and then consume it yourself” camp, and there are some in the “if it is for the Gods it is for the Gods” camp. I gotta tell ya that I can see the argument on both sides. From what I can tell the evidence for Irish tradition leans towards the “What is for the Gods is for the Gods” but that doesn’t mean you can’t have your own practice. It means go research, look into the sources, figure out your practice and needs, talk to the Gods and do what is best for you.

I personally let food items be for the Gods, unless otherwise guided in the moment by inspiration. Beverages when out and about, such as at a restaurant and wanting to buy a drink for the Gods, can sometimes fall under the “I drink, you drink.” clause. Above all be respectful and be mindful, and for the love all:   DON’T LITTER.

We have enough going on in climate change, and wrecking our ecosystems and natural resources. There are way more people in the world now, so some practices that were ok back in Ancient times now fall under the umbrella of Littering and please don’t do that.  Lots of the food we eat today causes havoc on local wildlife. Not to mention making a mess in publicly shared nature spaces is just rude. So be smart. Think about the environment. Don’t litter.

Other devotionally created items can make great pieces for your altars or given as gifts to other devotees.

Non-Tangible Offerings

Food and libations make up a good portion of my offerings but by no means encompass all of them. Nor does tangible devotional creations. There is more that can’t be so neatly defined.

As I said at the start of this section, I consider my work to learn the lore and learn more about the Dagda and his people to be an offering. The completion of this particular blog series is also an offering to the Good God and seeing his will be done. If you are dedicating work to him, that in itself is a type of offering.

There are also offerings that come in the form of prayers or songs, these are things that I’ll cover in their own section, but I consider them offerings as well.

But let’s take a moment to think on the idea that the Dagda is a God of Ireland. His lands, his holy places, his people, are based in Ireland. Being a deity that takes great care in life and stewardship of his culture, it very quickly follows that what we can do to support the people and land of Ireland can be made as an offering to the Dagda. For me, that means that I try to make monetary offerings on behalf of the Dagda towards Ireland and her people. Supporting native Irish practitioners and artists. Supporting grassroots movements, heritage sites and environmental organizations helping people, places, and the culture on the ground.

A few of the people, and organizations that I have donated/patroned to:

Irish Peatland Conservation Council

Abortion Rights Campaign

Scealai Beag – Bard of the Dagda

Lora O’Brien – creating Authentic Spiritual Connection to Ireland

Story Archaeology

Taking this all to another layer. After we give offerings to the land and traditions that we are getting so much enrichment from, it then feels like the next step is to apply the teachings and lessons within our own community and local areas.  


For my own practice, living in the Bay Area, something that has come up and just continued to grow in my connection with the Dagda is the complete utter unacceptable way that the homeless and poverty is being treated, or more accurately ignored and abused. I have a lot to say on this topic but suffice to say, that with the Dagda’s connection to plenty, abundance, and hospitality, he ain’t fucking pleased.

This has translated into my giving a monthly donation to my local food bank in his honor as an offering in the name of the Dagda. This also manifests in my more daily life of being aware and kind to the homeless, I give money directly to them when I can, and if I have food in my hands and am asked I will always give it. This is again is done as an offering to the Dagda.

Finding ways that you can acknowledge the teachings you have learned from the Good God in your everyday actions is a wonderful way to have offerings to stay meaningful and to give you something to grow on towards being a better human person.

What can you do to help? What do you want the Dagda to look at see you in action and be pleased with? These are good places to start brewing on!

 


 

There are two more parts that I intended to include in this section. Prayers and Finding Sacred Places. However this section has been sitting on my drive for several months, so I felt like I would just post it and let the other sections come at their intended time. So what I intended to be a 4 part blog will now be a 5 parter. Such is life.

I hope it is of some use!


Devotional Practice to the Dagda: The Call

Learning: Devotional Practice to the Dagda

Doing: Devotional Practice to the Dagda

Google Scholar for Polytheism!

I woke up this morning with the very clear thought in my head to do a blog post on how I use Google Scholar as a resource in my studies for my devotions and polytheism. A rather dry and boring topic but hey, maybe someone will get some use out of it somewhere.

For those of you that don’t know there is a specific search engine of Google that only indexes and searches scholarly and published material. It is not your standard Google search, but a whole different search engine all of it’s own. In Google’s own words, “Google Scholar provides a simple way to broadly search for scholarly literature.”

The benefit of Google Scholar to your polytheism practice is that it means you will not have to weed through geocities type websites wondering where exactly someone got the information that the Morrigan is associated with pumpkins. None of that is going to be in Google Scholar, because Google has created criteria for what is “scholarly literature” and they stick to that. Most of Academia do everything they can to get their works in Google Scholar as a result, because it provides more discoverability for them and their careers.

The difference between an academic paper and a website mostly comes down to standards of sources and peer review. I am not saying you can trust absolutely everything you read in an academic paper you found on Google Scholar. That is just silly. Papers are written by people, who have agendas, and biases, and Google Scholar is also filled with historical scholarly content which will have theories and viewpoints that have long since been proven incorrect. These are all incredibly important things to remember when researching anything. That being said, there is a standard of citing sources, and even peer review that means there is more reliable information in these papers than a random website that pops up. Because all it takes to put up a website is server space and a domain. Publishing a paper takes a bit more leg work.

Alright, one more disclaimer and then we’ll push on to the meat of it. I am by no stretch of the imagination a professional academic. This is all my very amature way of trying to build up my understanding and studies of the culture and the history of the Gods that I worship. If you have better methods you would like to share, if there is something I am missing, please feel free to comment and let me know!

Step 1: Go to Google Scholar! Search!

Fairly easy step. Go to https://scholar.google.com, and you will be presented with a search box that looks very familiar but in fact is different.

Here you can enter the search term you would like to find articles on. If you are like me, you may have forgotten that there is a wide variety of advanced search commands you can use to best utilize getting the search results you want. You can find a list of these commands on this website.

The two most useful ones in my experience are using “parentheses” to search for exact phrases and the minus (-) command. For example if you wanted to search for “Irish poetry” -Yeats, you would get results that contained the exact phrase “Irish poetry” but did NOT contain Yeats.

This can be super useful when you try looking for something and notice that you keep getting results that are not what you are looking for.

Step 2: Looking through Results!

Alright! Now we got some results. How to decide what’s worth looking at and just general info.

Google Scholar Screenshot

The first thing I would like to note is the option in the red box on the left hand side of the screenshot. There are two options “include patents” and “include citations”, generally speaking for polytheistic studies you aren’t going to be looking for patents, so you can go ahead and turn that off. You may want to include citations however, as that will give you the names and authors of articles that many other articles are citing in their works. It is likely that they won’t be available online for you to read, but if you have access to a college library or contacts you might be able to track them down, but you can disable them if you just want articles.

Next is to look at the information under the Title. That includes the Author, Institution or Journal, when it was published, and maybe platform it is on. This is all important information to look at and can tell you a lot about the article.

Publishing Date: As I mentioned before there is a lot of historical published articles that are in Google Scholar. You can get a feel for what information is going to be up to date, vs what might have some historical biases, based on when it was published.

Anything published in the Victorian Era, so 1800’s, is going to have out dated information in it. Archaeology, history, and just academic understanding has come a long ways since then. That doesn’t mean it doesn’t also have good information in it. It just means that you will need to read it with a critical eye (you should do that with everything but you get what I’m saying). The Victorian era in particular, besides being filled with racism, was also a time when Ireland was under colonial rule by England. A fact that colors a lot of the papers written at the time. Additionally you will find a lot of classicism in regards to deities in these papers. This is where you will read about Lugh being a sun god and other Irish deities being the “Irish Mercury” and so on. It is important to know the lens that you are reading a paper through.

Some other things to look into is the Celtic Revival, or the Celtic Twilight, and the schools of thought prevalent during those time that will likely be present in papers written during those times.  

Honestly, just learning the different eras schools of thought is a study all of it’s own. You can get into nativist vs anti-nativist theory, the “Celtic Migration”, and probably a whole lot that I am not even aware of because as I said I am not a academic in the field. Just a Branwen being a nerd.

Author: This one I usually pay a little more attention to this after I have read the article but it can be useful before as well. You can look up the author and see what institutions they studied at which will tell you something about where and how they got their information. If they are a professor your can sometimes get bios on faculties sites as well that can be helpful. How is this helpful you ask? Well, is this an American born academic that has always lived in the USA? Or is this a British born academic? Do they or have they ever lived in Ireland? Did they study at an Irish institute? These things again can give you an idea about the lens that they are speaking from.

Plus knowing the author means you can look up to see what else they have written. (Moar Homework!)

Source Information: So if you see JSTOR, that means it’s available on JSTOR, other publication and online journals might be listed. JSTOR there is a good chance that it is available to read online for free with a JSTOR account. One thing you are going to realize and run into quickly is what are known as “Pay Walls”. That means that you would need to be with an institution (college, university, etc) that is paying for a subscription to the journal to read the article, or sometimes you can pay to download the article (usually around $20).

Academics need to be paid just like the rest of us, and while I do believe that we will eventually get to a full Open Access model of education, we aren’t there yet. BUT there are a lot of open access articles you can find, AND if you live near an awesome library you should see if you can go get access through them (Libraries are the best.)

Cited By: Underneath the blurb about the article you will see a link that says “Cited By” and a number. This indicated how many other papers in Google Scholar cite this one as a source. They will also link you to those articles.


Step 3: Read all you want! Set up alerts, swim in information!

Once you go through and find the articles that are available for reading online, you can also set up alerts so that whenever a new article matching that search criteria is indexed into Google Scholar. To do that you can click on the “Create Alert” link in the purple box in the left hand of the screenshot. This will then send you an email when new articles are indexed and meet your search. Magic! Information straight to your inbox.


That’s all I got for you today folks! I hope that this shined a little light on a new tool for you to use in all your lore seeking needs.

If you liked this and would like to see more content like this. Let me know! Send me a message or comment. I’m always curious if this kind of information is too dusty and dry or what. But then again I also believe that we should share our resources so that we can all have access to what we need for self betterment.

Happy hunting! May the information that you seek find it’s way to you and you have the wisdom to use it for the greater good.

Learning: Devotional Practice to the Dagda

Ruadh Rofhessa – Red One Great in Knowledge

I don’t remember where I first heard of the Dagda.

It seemed fitting to start with a confession, just dive straight to the start of it. I don’t have a grand story about how he revealed himself to me, or my first time reading his name and being enraptured. I had been reading myths and legends since I was very small and I simply cannot pinpoint the exact moment of discovery.

Was it the first reading of the Second Battle of Mag Tuired? Where the Dagda says:

“I will fight for the men of Ireland with mutual smiting and destruction and wizardry. Their bones under my club will soon be as many as hailstones under the feet of herds of horses, where the double enemy meets on the battlefield of Mag Tuired.”  That is certainly something that would get my attention. The cadence and imagery of destruction makes my blood rush.

Was it when I read “How the Dagda got his Magic Staff” and his use of trickery and wit to gain the item of power? He was roguish, he was entreated to compassion, these were all things that would have endeared him to me.

Was it when I was reading of the Morrigan, and learned of their meeting by the river? There is something primal and complete in that story. No matter the translation it calls out to me. I may have met Him through Her, it is not impossible.

It is unknowable at this point. One thing I can tell you, is that my first connections with him were while learning.

We will pause here to unpack that particular turn of phrase, “my connections”, as it is one I hear often, and one that seemed to kick off this particular request from the Good God to myself. They question you will hear often is:

“How do I connect to him?”

“Connect” is the root there and the “how?” is the mystery, at first glance. But let us look again. “Connect” is one of those wispy magical words that can mean many different things depending on context and who you are talking to.

When I say “connect”, I mean the feeling of being in alignment with the energy or spirit. Connecting with the Dagda for me, brings about particular physical and emotional feelings that I have come to identify as his presence. It also means being in the presence of subjects, things, symbols, and actions that are things he enjoys or takes notice of.

This entire multi-part blog series is about the various ways I, personally “connect” to the Dagda.

That being said, my impression is that when some people say “connect” they may mean, a ritual/incantation/process that puts them into a trance/meditative state where the Dagda comes to them and gives them a message or speaks to them.

If that is what you are looking for you will not find it here. It just has not been my experience with him, or any of the Gods, and not what I mean when I say “connect”.

Instead, I will direct you over to Lora O’Brien and her amazing Journey to the Irish Otherworld and foundational Journeying techniques.  She often gives the class, online and in person, even away from her beloved island, while she is traveling which is much to the world’s benefit. That is the method that I recommend and would trust for that type of “connection,” and it would be in the Irish Otherworld that you may be able to meet the Dagda in that manner. Lora is a wonderful teacher, she will give you excellent tools and her audio journey’s have actually worked for me. I have a history of not being able to meditate or journey, so that was super impressive to me. And even if you do not have that particular type of connection while journeying, you will still gain a lot of personal insight.

For those of you that are ok with perhaps a little less glamorous form of “connection”, thanks for sticking around lol, and I will continue my tale of connecting through learning.

One of the Dagda’s many titles is  Ruadh Rofhessa, which Mary Jones’s Celtic Encyclopedia has as meaning “Red One Great in Knowledge”, which as far as everything I have read seems legit. It shouldn’t be surprising then that he encourages, enjoys, and facilitates the quest of knowledge.   

When I first discovered that particular title of his, whenever that was, it was one of those “ah ha!” moments. Another piece of the puzzle fell into place, another treasure chest opened. For me at least, a large part of my spiritual path and growth has also been one of self analysis and discovery. Part of feeling able to connect to the divine is being able to see parts of the divine within my own mortal self and recognize it in the world around me. When I first started to feel the affinity and draw to the Dagda, much like when I felt the affinity with the Morrigan, I spent a goodly amount of time trying to decipher what was my own confirmation bias of wanting to be in alignment with the powerful generous mighty Good God and how much just seemed true.

This was the first correlation that made the whole affinity seem more than just the desires of my heart. Yes, I want to be strong, and so may want an affinity with a strong deity. Yes, I enjoy food and pleasure, (who doesn’t?) that hardly seemed substantial enough. But! I am a nerd. Always have been. A book worm, as well as a bit of jock. Following that thread and the fabric it wove with all the other aspects of the Good God, devoting time and worship to him felt more than personal inclination. That being said, at this specific time in my life when I was looking for more than just personal inclination to my spiritual practice, I also learned that it was a silly and somewhat vain notion that I no longer hold with. Respecting the Gods and the culture they are from is a more important foundation, for me the most important. But I digress.

Now, if you are here and have had a passing interest in Gaelic Polytheism, or Polytheism at all really, you will have no doubt already come across the concept of this being a spirituality with homework. I won’t belabor that point any more, in fact what I will say is that I don’t actually think you have to get a degree in Celtic or Irish studies and read dry academic papers all the time to have a wonderful living spirituality with the Dagda or most of the Tuatha Dé Danann.

I do think you’ll need to learn however. I just happen to enjoy learning by looking over thesis and papers on archaeological finds and the breakdown of Medieval Irish bathing customs. I have several Google Scholar Alerts that are set up for when new things say “Ancient Ireland” and a few other keywords, because I’m a nerd and even though I didn’t pursue higher education I was privileged with a decent enough education to make those dry academic writings more accessible to me.

Learning however is a process that doesn’t have to happen in the clinical academic way and certainly not when it comes to learning that will bring you closer to the Good God.

You will rather quickly run out of articles about the Dagda specifically (unless you are fluent in reading French, then there is a tasty but expensive academic book that would likely give you much more time to chew through). Learning about his people, about Ireland, about the real people living there now and their history and struggles, will all bring about his energy. He is a deity of the people. A Chieftain. You don’t have to be specifically learning about him to learn about him.

You don’t have to read articles to learn either. The stories are far more important. They have been to me.

Stories, and especially the Irish myths, have so much to teach us and in such a deep way. You can read a story once and learn a certain detail, or catch a specific theme, then when you read it again you will learn completely new things. They are that rich with information and have a way of exposing pieces of ourselves that changes with our understanding. As you learn more about cultural context, history, and even as you just learn more about life, you will get more out of the stories. Which is why I read them often. I try to read multiple translations (unless I know they are bad translations). Revisiting them often has proven to be on the centering and rejuvenating parts of my practice. A type of coming home.

Learning the stories also helps to recognize and feel his presence. As you are reading about the great feats and the battles where he is present, you might start to take note of emotional and physical effects that regularly occur and signal his presence, his energy. Once I recognize it in the lore, I am able to identify it out and about in the world. Learning his stories and his people stories also means that I am able to tell them to other people and keep the names and deeds of the Gods alive and in glory.

It doesn’t just end with the old myths however. He is alive and present in new stories being told today, which are also amazing ways to connect and learn about him. There is going to be a resource section down below, however, this particular resource just needs more highlighting. You can get a lot from the old myths. Personally, every time the Dagda makes an appearance in them, he leaps from the page. A mountain of vitality, humour, loyalty, wisdom, strength, and more. That being said, there aren’t a lot of them and I found myself thirsty for more. More that depicted those things that many people didn’t seem to notice about him. At the time, and frankly until recently, his name was not known in the broader pagan circles that I had started communing with. To them he was a byline in bigger stories with shinier deities, or was the oafish male god no one really knew what to make of. I threw myself into making a case for him beyond this shallow understanding. I did it without conscious effort. He was ever present in my home, in my actions of hospitality, in my service to my community and speaking of him and his deeds would inevitably bring out the enthusiastic impassioned side of me. Yet, while several people came to understand him through my serving him, but that never seemed…enough? I couldn’t possible do it justice. An introduction sure, but I felt there had to be one story to show them the breadth of what made the Dagda, the Dagda, and why one would want to be devoted or honor him. But I could never decide which that was, frequently deciding it didn’t exist… and then, like magic, there was.

One of the side effects of always learning, is that it takes you beyond your comfort zone and you are introduces to new ideas, new people, new things. In the continued quest for learning of Ireland, my dear sister Victoria, introduced me to Lora O’Brien’s work, who in turn then brought the work of Jon O’Sullivan, aka An Scealai Beag, into my world. A modern Bard of the Dagda, forging new tales of the Good God. I highly recommend you read all of his stories on his blog. They all have an amazing depth and insight, and really from the old myths and these there is plenty for a starter kit to build a connection to the Dagda. All that being said, there is one story that I feel, encapsulates the depth and breadth of the Red One Great in Knowledge and his realness. It is a story that if I had an inclination to make priesthood to the Dagda would be one of the required readings. The story is “The Dagda’s Work”. We got to hear it told by Jon at PCon 2016 in ritual and I think I can safely say that was one of my favorite most cherished rituals to date. Go read it. Leave a comment for Jon. Come back and gush with me about it. I could talk about that story for hours.

All that being said, learning and connecting through learning, doesn’t just start and end with articles and stories. That might be evident in the above mentioned story 😉 One of the big things that I have learned in being devoted to the Dagda, is that it is important opening up your mind to the process of learning in all parts of your life. I try and remember that in my life. Learning is good. I can always learn more, really I know very little in the scheme of things. Learn things from people with different experiences than me. Learn from the daily acts of being a human being and having duties and obligations. Learn from nature and it’s capacity to thrive and the wisdom in it’s machinations. Learn from the skills that I already know and the ones that I’m still trying. Learn from the stories and media that permeate our culture. Learn from the art I create and is created around me. In all things learn.

I try and support educational measures and be supportive of those around me in learning as well. We as a society need to get into a mindset of encouraging learning, nurturing it, making it thrive. That change and attitude has to start with me in order for the change to start anywhere.

That’s where he comes in. A warm hand at your back supporting and encouraging you. The hearty pleasure at seeing others enjoyment in expanded their knowledge and being open to learning. The heavy weighted pressure in those situations where your beliefs and knowledge is being questioned and it is a moment to brace and gain more wisdom by opening up or be battered by my own close mindedness.

The first step on my path of connection with the Dagda was in learning. Learning his names, his stories, the people who were dear to him, his enemies. In learning of his culture, and of the history of the island that is his home. Learning of the troubles and triumphs of the people who still live in Ireland and are keeping it alive. Learning the language that is native to Ireland, and the words that shaped the stories. Continuing outwards and learning of the land I live on and the colonialism and history here. Learning of the people around me and our struggles and victories. Learning of the values and virtues that I hold dear, and why, and where do I find them in my life. Learning skills and facts and knowledge, and the happiness and strength it brings. It started with learning. It continues with learning, always learning.

In that vein, I will end this long rambling tale with resources you might be interested in. This is in no way an exhaustive list, or even that long of a list, (because eventually I realized I just need to post this blog). Think of it as a starter pack.

Articles specifically about the Dagda:

The Names and Epithets of the Dagda by Scott Martin

Following a Fork in the Text: the Dagda as briugu in Cath Maige Tuired by Scott Martin

Myths and Stories:

Mary Jones Celtic Literature Collective – Online translations of many of the Myth cycles.

The Third String – tales of the Dagda by Jon O’Sullivan, aka An Scealai Beag. Go read. Absorb.

Story Archaeology – They do have specific episodes featuring the Dagda. But really just listen to them all.

Tales of the Tuatha Dé Danann and The Treasure of the Tuatha Dé Danann by Morgan Daimler – Two very affordable books that have great translations of the old myths.

Other Resources/ People whose writing you should read:

Lora O’Brien – If you can take any of her classes, take them. Become a Patron if you can, it’s worth it. I recommend all of her books, especially the Practical Guide to Irish Spirituality.  If you are totally new to Irish Mythology, Lora has a great post on where to start.

Living Liminally – Morgan Daimler’s blog. Lots of wonderful translations and footnotes with bibliographies. A treasure trove.

Tairis – A Gaelic Polytheist website. A wonderfully in depth article all on the Dagda. Great articles with bibliographies. Again so many resources to discover here.

Coru Cathubodua’s Reading and Resources – This page has soooo many good articles and reading sources. Yes it is heavily focused on the Morrigan but there is a lot of amazing cultural, mythological, and historical pieces. Super inspiring, I should get my resources in such fine order.


 

Devotional Practice to the Dagda: The Call

Doing: Devotional Practice to the Dagda

The Shiny Part: Devotional Practice to the Dagda

When history adds to your modern practice

Today I dived head first down the rabbit hole of Google Scholar and a wide array of historical academic papers that are available to read. While saving a whole bunch to read later, one caught my eye.

Washing and Bathing in Ancient Ireland

A. T. Lucas

The Journal of the Royal Society of Antiquaries of Ireland

Vol. 95, No. 1/2, Papers in Honour of Liam Price (1965), pp. 65-114

I am relatively well known to be a woman of Feasting, as I consider food, the acts of hospitality and feasting to be a huge part of  my spiritual well being. There is however another portion that is likely not as well known because it’s just not something that I was able to concretely connect as “Gaelic” in my practice. Certainly it is something that has always been a important aspect of my practice, but I chalked up a lot of that to be unique to me. Sometimes, you read something and then you make historical and spiritual connections you didn’t “know” were there but were completely there and now can consider more ways to incorporate it. In this case it’s, Ritual bathing.

Since childhood the pleasure and just comfort of a good hot bath has always had a place in my heart. My household regularly used hot showers and baths as a way to help aid the healing process of headaches, colds, flu, muscle aches, and pretty much everything under the sun. There is the vinegar bath for a bad sunburn. The oatmeal and milk bath for chicken pox. The Epsom salt bath for other illness. When I moved out of my parents house, I started having intense migraines and stumbled on the remedy of showers where you turn the water to as hot as you can stand and then as cold as you can stand, repetitively. You kinda feel like your getting torn apart and are exhausted afterwards but for a long time it was the only relief I could find.  Along my witchcraft path I learned the value of purification baths, and adding a variety of other herbal and stone items for magical purposes. Likewise I discovered that while I sucked a meditation and trance work, I could easily slip into trance and meditation in a steamy shower or bath.

At that time, it made sense to me, in that water, especially running water, is a gateway to the Otherworld, and steam seemed associated with the mist and fog that is also seen in Irish myth and folklore to be a portal to the Otherworld. The act of bathing seemed to create a liminal state of its own that I’ve always felt connected to and it’s been a useful way to de-stress and in general keep emotionally balanced over the years.

But I had never made any stronger connections to Irish mythology or lore until recently. A few years back, my partner was experiencing some intense stress at work. Anyone who has a lot of stress in their lives, know how it just starts to take a toll mentally and physically. For some reason, I called to mind the story of the young Cúchulainn returning from battle still in his battle frenzy and being dunked/bathed in three vats of water to cool his furor and return him to a more human state. I felt a connection with the stresses and dehumanizing aspects that service jobs can reap upon a person and the inhuman state of Cúchulainn in the story. It seemed to me that the act of being bathed ritualistically as the young hound was, was a way of bringing him back into the fold of his people. Bringing him back to peace and civilization in some way. I started to use showering in this way, after work. A way to wash away the grim and rat in a maze feelings that Corporate America can bring, and return to a state of comfort, balance and humanity. It helped. It became sacred and essential in our comfort rituals.

The article highlights some facets of bathing and washing in Ancient Ireland and in Irish myth that I hadn’t taken the time to ponder before. In particular it’s connections with hospitality and even feasting(!).

It outlines various examples of how a bath was one of the requisite amenities given to a guest as part of the rules of hospitality. We are given the example of the bad hospitality of King Bres Mac Mac Eladain who had a poet of the Tuatha dé Dannan visit. He was conveyed to a small house which was narrow, dark and dim, there was neither fire, nor bath, nor bed. Three small cakes, and they dry, were brought to him on a little dish. The next day he rose and he was not pleased. From this and the other examples tales of Cúchulainn, King Donn, Mael Dúin, being greeted with lavish beautiful welcomings the included lovely women to bath them, the argument that having a comfortable and plush bath available for guests was considered the mark of a good household.

Comfort is one of the tenets of hospitality, and while I have generally considered my mother’s propensity for buying copious amounts of soft bath towels and having over flowing baskets of colorful washcloths available, to be her desire for a magazine type home,  I now look at it at it as being very gracious. If I were to show up at my mother’s house unannounced with 5 or more guests unexpected and we all needed showers, she would have clean fresh towels and cloths ready and waiting. I’m afraid I can’t say the same for my own. In fact to own the truth, my house has only a handful of towels and they are almost never all clean at once. Something to consider.

The article also make the connections to prestige and honor to be the first to bath, making several references to chieftains and kings being granted the right to “the first bath and the first drink” at a feast. There is some interesting information that makes a strong case that bathing of somekind (whether full body or hands and feet) were done prior to feasting. This makes sense in a logistical and hygienic sense, as well as adding a layer of ritual cleansing to feasting that just makes energetic sense. It also reminded me a lot of a podcast I was recently recommended, Dark Ages Feasting – The British History Podcast. Which, while predominately looking at Anglo-Saxon traditions, covered the ritual handwashing that took place before eating at a feast. He also pointed out how uncouth many of we modern folks are in comparison, how often do you actually wash your hands before a meal? More things to consider ;

The article only briefly touches on the connection of ritual bathing by women being connected to healing and magic, but there is enough to make note of and keep an eye out in further reading.

There is a lot of minutia of daily life in ancient Ireland, that perhaps not everyone would consider interesting lol, but I love it.  Things like theories of what sort of detergents they used, how they heat their water, what the tubs looked like, the different words that meant different types of bathing. These things don’t necessarily add anything to my modern practice, but they help to provide another piece of the puzzle to a worldview of the past. I feel like that helps to create a depth of understanding that solidifies my modern practice.

If you have made it this far in this much longer ramble than anticipated post, all of this is to say that I recommend the article lol. It has opened some ideas in my head as far as ritual feast  activities, and that I for sure need an lovely washing station in my future feasting hall. It reinforced  my I practice of using bathing for sacred ritual purposes as well as for community and hospitality building in some ways. More food for thought on how to relate to the every day life and I suppose a little window in how I break out academic articles and relate them to my practice.